A small snippet from Jeff's thoughts about the show:
"Read about the inspiration for the show here, March 15. Some would have hated it. If I had gone looking for pin-point-perfect technique, or classical movement, or really anything conventional at all, I would have been disappointed. Instead I was uplifted by vignettes about trying to get along with and without people. Between dances, open doorways and closed doors were moved about on rollers by dancers dressed like nuevo gypsies, as they held a kind of movement dialogue with one another. Each had what seemed to be their own character, informing their choices and scenarios. Melissa's acrobalance experience shone through at certain points, particularly to a number choreographed to Tom Waits' "The Piano Has Been Drinking," a piece I was lucky enough to get a preview of at the Kinesis benefit in December (see 12/25/06 for a photo). That section, too, is a good example of one of the best aspects of Right Before You Fell: its sense of humor. I've known Melissa for a while now, so her brand of humor is about as familiar to me as anyone's. RBYF was a great manifestation of unbounded joy for living, and unabashed moments of the surreal."
